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I am Jack's raging annoyance.

If you haven't heard yet, Fight Club is finally hitting Blu-ray on November 17, jam-packed full features including new bits about sound design, a search index, a bajillion commentaries, those great PSA's, and behind-the-scenes fare. In other words: a must-have disc if it is even half as good as it sounds. (Read the press release after the jump.)

To kick off the event, a new website has been created at www.welcometofc.com. As Coming Soon says: "The site connects to your Facebook and... you'll have to see what happens next!" For me, that means 30 minutes of annoyance as it "loads" whilst phrases get spray-painted on the wall over, and over, and over again. Marketers might be trying new techniques to connect with the audience, but something tells me that grating on their audience's last nerve is not one of them. With the help of Horror Squad writer Alison Nastasi, I found out this is what happens: You need to have an account with pictures, and then the website will create a video with Fight Club highlights and classic text laid over the photos in your account.

If Tyler Durden and his more passive self were ever told to sign up for a popular website notorious for shady practices, they'd ... well, there'd be big acts of vandalism, maybe some hacking, and possibly even an unsanitary soup or two. The first-come, first-serve soap that came with the big DVD release years ago, that was a cool marketing twist.

Nevertheless, this release is yet another reason to go Blu-ray.

On November 10, 2009, Walt Disney Home Entertainment is releasing a 4-disc Blu-ray set for Monsters, Inc., Pete Docter's feature directorial debut. Much like Finding Nemo set the stage for what Andrew Stanton eventually did on Wall-E, the 2001 Pixar film offers a glimpse of what was yet to come from Docter – who went on to direct this summer's Up, also out next week – but it also reiterates some of the themes that run throughout all of the studio's best work, including the concept of an alternate perspective on a place or idea that seems obvious, and the idea of families that are both familiar and unconventional. But how effectively does it examine and explore those things, particularly in light of what the studio has done since?

Suffice it to say that the Blu-ray set offers not only the best presentation of the film imaginable, but a bounty of extra content that expands the film's universe in new and interesting ways. As for the movie itself?

The 20th Anniversary Edition Blu-ray and DVD of Say Anything came out yesterday, and to mark the occasion, numerous men with lots of free time dressed up in trench coats and hoisted boomboxes above their heads and marched throughout New York City serenading people with the strains of Peter Gabriel's "In Your Eyes," and a cover version of the same song by The Lloyd Dobler Effect. Check them out in the gallery below.

Damn, that movie came out 20 years ago? That makes me feel incredibly old. The first time I saw that movie will be forever burned into my brain since it was my first and only date with the captain of the women's volleyball team in high school. However, the movie on Blu-ray looks better than it ever did back in theaters, circa 1989, and hopefully it'll inspire legions of Lloyd Dobler fans for years to come that will fare better than I did.

The Blu-ray version of the movie is a 1080p high-definition upgrade of the original DVD release from 2002, along with a newly remastered 5.1 audio mix. In addition to the upgraded image and sound, this includes all the features from the previous version (commentary from Cameron Crowe, John Cusack, Ione Skye, deleted scenes, and more), along with three new featurettes. The best of the bunch is "An Iconic Film Revisited: Say Anything... 20 Years Later" featuring new interviews with Crowe, Cusack, Skye, John Mahoney, and Nancy Wilson.

Amazon sellers are selling copies of Ken Russell's Salome's Last Dance on DVD for a minimum of $214.89. It's not on Netflix. However, if you're in the mood for the kind of bizarrely decadent films that only writer/director Ken Russell (Gothic, The Lair of the White Worm) can serve up, it's high time you headed over to this hard-to-find Oscar Wilde adaptation for free over at SlashControl.

In Salome's Last Dance, Russell plays around with Oscar Wilde's banned play Salome, adding a bit of meta-goodness to the whole shebang by making the film about Oscar Wilde (Nickolas Grace) and his lover Lord Alfred Douglas (Douglas Hodge) watching a performance of the famous play in a brothel. The actors are all employees or patrons. And it's no accident that this is also Guy Fawkes Day.

Alfred Taylor, the brothel-owner played by Stratford Johns, announces, "Guy Fawkes wanted to strike a spark for freedom and blow up a Parliament he considered oppressive; you have done the same with your play, Salome... In defiance of the law and in honor of our greatest playwright, the premiere of Salome will take place here tonight, the 5th of November, 1892."

G.I. Joe: The Rise of Cobra
Here's my problem with the picture: a furiously-filmed chase through the streets of Paris should be spectacular and thrilling. Instead, it's incoherent, routine, even disappointing. Director Stephen Sommers (The Mummy, Van Helsing) turns in another by-the-numbers action spectacle, this time starring Dennis Quaid, Channing Tatum, Adewale Akinnuoye-Agbaje, Marlon Wayans, and Joseph Gordon-Levitt. There are better ways to waste your time and money. Skip it. Also on Blu-ray.

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The Taking of Pelham 1 2 3
Tony Scott's remake is a higher-grade disappointment, coming achingly close to delivering an unqualified success. Derailed by John Travolta's unrepentant scenery-chewing, which goes far beyond the bounds of bad taste, and an unhealthy preoccupation with explaining everything, the film motors along reasonably well, fashioning a paranoid tale of post-9/11 terror and ticking time bomb suspense. Denzel Washington is eminently watchable, and James Gandolfini has a good turn as the Mayor of NYC. Recommended with reservations. Rent it. Also on Blu-ray.

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I Love You, Beth Cooper
As I wrote in my review, Larry Doyle's very funny book has been transformed into a dreadfully boring movie. Hayden Panettiere and Paul Rust are miscast as a rule-breaking dream girl and the boy who loves her from afar, respectively. The spend a night together that seems endless. Chris Columbus directed, without distinction. Skip it. Also on Blu-ray.

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Also out: Aliens in the Attic.

Indies on DVD, more Blu-ray picks, and Collector's Corner -- after the jump!

I think the mania for Sergio Leone is stronger than it's ever been. It's undoubtedly due to the championing of Quentin Tarantino, and films like Sukiyaki Western Django and The Good, the Bad and the Weird, which are driving fans to seek out where they borrowed their serapes and squints from. There also seems to simply be a hunger for good adventure stories and rugged antiheroes, and there's no better place to get sated than Leone's films. If you feel like spending two hours in the broiling sun with a man who'll shoot you as soon as look at you, then you'll love today's free flick: For A Few Dollars More.

For A Few Dollars More might be my favorite of the Dollars Trilogy. I love them all on their own merits, but this installment stands on its own (I hate saying it, but Fistful is decidedly less cool after multiple viewings of Yojimbo), and is less operatic than The Good, the Bad, and the Ugly. More also tips the balance thanks to the way it adds a little to the Man with No Name. Here, he's dubbed Monco (Spanish / Italian for maimed) due to the way he keeps his right hand hidden, and he doesn't just ride quietly out of the dust. Now he has a trail in a score of bloody newspaper clippings which suggests he could afford more than one serape. Ennio Morricone fans will also appreciate the little flourish he gave to Monco's gun hand

Even if you hate Westerns, you should watch it. Leone called his films "fairy tales for adults," and that's really what they are. They feel like every genre rolled in one, and have been borrowed from 1965 onward. Fans of everything from Tarantino to Pirates of the Caribbean will see something they recognize here.

Watch For A Few Dollars More on SlashControl!

By now, you've had your fill of ghosts, goblins, and things that go bump in the night. You've cleaned up pumpkin guts, peeled off your skin along with your spirit gum prosthetics, hoping OxyClean gets fake blood stains out of your carpet. You need a movie with class, wit, and Cary Grant. You need Howard Hawks' classic His Girl Friday, which is playing right now on SlashControl.

There's nothing I can say about this movie that hasn't already been said. Rosalind Russell's Hildegard "Hildy" Johnson remains one of the gutsiest heroines to ever grace the silver screen, and the fact that Cary Grant's Walter Burns loves her for her byline makes him one of the sexiest men of all time. The romance, the scheming, and the race to the presses will still leave you dizzy and laughing. Oh, and let's not forget the clothes. Oh, to spend a day looking as impeccable and sharp as Johnson ... ! I fully intended this to be an anti-Halloween selection, but I imagine it could inspire my fellow females to look for pinstripes and fedoras for next year's festivities.

This movie is especially poignant to watch now in the waning days of the newspaper industry. It's very sad to think of movies like Friday and State of Play being period pieces beyond clothing, hairstyles, and politics. While I have confidence that journalism will find its fast talking feet again, there will always be something romantic about the presses. At least they've been preserved in the background of so many movies as good as His Girl Friday.

Watch His Girl Friday on SlashControl right now!

As award show devotees know, the Academy is always trying to make the Oscars more fun for the viewers at home. This year it seems as though the pre-show hype is starting earlier than usual, particularly with the noise surrounding Bill Mechanic and Adam Shankman stepping on board as producers. But they may be one step behind, as the Oscars have already become a little less handsome, a little less musical, and a little less Emmy-winning than last year. Because Hugh Jackman won't be returning as host.

No, it's not an epic snub, or retaliation for being so darn good at everything. Variety reports that Jackman "quietly turned down the job" a few weeks ago. The reason is simply that he wants some time off in between A Steady Rain and production on Shawn Levy's Real Steel. Reportedly, he really does want to host the show again, but he didn't want to do it two years in a row. That's a showman for you. Give them just enough to have them wanting more, and avoid wearing out your welcome.

In my humble opinion, Jackman left some very dashing shoes to fill. Personally, I think Shankman should see this as the start of a new tradition, avoid a comedian, and pick the Tony-hosting Neil Patrick Harris (who's already rumored to be eying the gig). The Oscars are supposed to be all about Hollywood glamour, and what better way to celebrate that then to go old-school and musical? I'll take a jolly musical number over painful attempts to be political and relevant. What about you? What host can make the Oscars worth your while?

The great opportunity with new presentation formats for established forms of entertainment is that newcomers can be introduced and experience them for the very first time; the burden with them is that longtime fans have to forage through multiple editions and decide which one is best. Enter "Making The (Up) Grade," Cinematical's examination of these new, alternate, special editions of films that have long since become favorites. This week's selection, Easy Rider, is one of those cases where people may or may not have purchased the film before, but because it's been so thoroughly discussed and dissected in cinematic culture for the past forty years, it seems almost a redundant choice for any person who considers him- or herself a cinephile.

Is this new 40th Anniversary Blu-ray really better? Let's take a look and see.