Despite having starred in a series of spoofs that have together raked in over $400 million on the domestic front, it still doesn't feel like Anna Faris is quite the household name she deserves to be. All dollar signs aside, this comedienne has that endearing mix of whip-smart comic timing, goofy mugging, general hotness (what?), and a sense of self-awareness in even her ditziest roles. Time will only tell if tomorrow's release of The House Bunny will formally launch her into the ranks of, say, Reese Witherspoon after Legally Blonde, but even if she doesn't, here's at least seven reasons why she'll always be our funny bunny.

1. Cindy Campbell in Scary Movie 3 (2003)

Say what you will about this parody franchise, but it's been a minor blessing that Faris keeps coming back to ground these puppies from evaporating into pure irrelevance... although it's pure irrelevance that keeps me coming back to this one in particular. Call it a guilty pleasure if you must, but there are glorious non sequiturs a-plenty that help me cope with the slapdash plot and already dated pop culture riffs (oh, right, Simon Cowell, he's that guy...). Naturally, not the least of the credit goes to Faris, who, as the aloof reporter/single mom, is just as inept at either job as we'd like her to be.

In what appears to be part of a most thorough campaign to botch Entertainment Weekly's Fall Movie Preview, a recent press release wholly admits that the North American opening of the 22nd James Bond film, Quantum of Solace, back from November 7th to the 14th marks an effort to capitalize on last week's sudden Harry Potter shift.

Although the removal of the 007th from any coming marketing blitz sure is a shame, it does place this film closer to the release of its predecessor, Casino Royale, which opened on November 17, 2006 to the tune of almost $600 million worldwide. Solace will still premiere in the United Kingdom on October 31.

For those keeping track at home, this now leaves Madagascar: Escape 2 Africa and the just now shifted Paul Rudd comedy Role Models on November 7th, and the 14th is now between Bond, Baz Luhrmann's epic drama Australia, and Bernie Mac's final film, Soul Men.

Now, think fast! When does Something of Boris open again?!

With all due respect to my esteemed colleague Elisabeth Rappe, geeks are not the only ones who learned important lessons from watching movies this summer. Herewith is my personal, arthouse summer school summary.

Werner Herzog cast a disapproving eye on the ugliness he discovered at Antarctica's McMurdo Station ("they even have a yoga studio and an ATM!") and was skeptical about the sanity of some of the real-life characters he met, which is partly why Encounters at the End of the World was so entrancing. What I learned: Evidence for gay penguins is skimpy, but they have been known to have threesomes.

The Wackness (pictured) didn't became the breakout hit that some had hoped for, but it did showcase the talents of rising star Olivia Thirlby and director Jonathan Levine. What I learned: Never kiss Ben Kingsley in a telephone booth.

Nanette Burstein's filmmaking techniques were much more off-putting than her ultimately winning subjects in American Teen, another would-be smash that didn't live up to box office expectations. What I learned: Never break up with your girlfriend via text message, especially when a documentary filmmaker is interviewing her.

Unexpectedly, Tell No One became the breakout limited-release mystery thrill ride of the summer, and Man on Wire proved that impassioned high wire walkers can make dreams come true and enthrall audiences to boot. What I learned: It's good to be French.

Now it's your turn, all you indie-loving, doc-devoted, world cinema aficionados: what did you learn from the movies this summer?

"I tend to make an ass out of myself a lot. And so that's kinda the cool thing that comedy has given me -- the ability to laugh at myself." -- Anna Faris

You might not know it yet, and she might not know it yet, but the female answer to Judd Apatow and Seth Rogen and all those, well, dudes, has finally arrived in the form of ... a Playboy bunny? In her latest film The House Bunny, Anna Faris plays a Playboy bunny who's kicked out of the mansion, and, in searching for a new place to crash, stumbles into the dorkiest sorority house on campus and signs up to be their house mother. It's a familiar PG-13 comedy that doesn't exactly re-invent the wheel, but if there's one reason to see the film, it's Faris. Here, at least, she proves there's definitely room for big, female-centric comedies in Hollywood.

Cinematical sat down with Faris earlier this week, where we spoke about her new film, what it's like to be on the cover of Playboy and how, exactly, she went from starring in dramatic theater productions in Seattle to landing the lead role in a little comedy called Scary Movie.

Cinematical: So congrats on landing the cover of Playboy!

Anna Faris: [laughs] Thank you!

Cinematical: What's up with that? Was anyone caught by surprise or freaked out at seeing you on the cover?

AF: Yeah, I thought it was awesome -- it was rad -- and that all my ex-boyfriends would think, ya know ...

Cinematical: They'd be feverishly flipping through the pages thinking your career was over and this was a last ditch effort to do whatever ...

AF: [laughs] Probably ... but yeah, it was great. Ya know, we planned it awhile ago and just wanted it to tie into the film and all that. My parents are pretty conservative, but they were really happy and excited for me. In fact, I'm taking them to the premiere tomorrow, which the party afterwards is at the [Playboy] mansion ... so [laughs] I'm going to try to drag them up there.

Here's a movie that's getting stranger and stranger the more details we get -- and I'm loving it. First, Mike Judge's Extract was simply a movie that "explores what it's like to be the boss when everything seems to be shifting around you." Then it became about a guy who owns an industrial flower-extract plant and has to deal with workplace issues and a cheating wife. Now, it turns out that one of the "workplace issues" is an employee who loses a body part in a freak accident, and that the wife is cheating on the protagonist with a gigolo. Awesome.

Jason Bateman plays the factory owner -- that, we already knew. We also knew that the amazing Kristen Wiig is playing the wife, and Mila Kunis another employee. The new info is that Clifton Collins, Jr. has joined the cast as the maiming victim, and Ben Affleck as an ambulance-chasing lawyer who, I'd imagine, wants to milk Bateman's character for all he's worth. No word on who's playing the gigolo.

I got pelted with poop for praising Mike Judge's last movie, the largely direct-to-DVD Idiocracy, the first time I wrote about this project, but I stand by comments. It would have been easy for Judge to do Office Space 2, but it's been gratifying to watch him go in some even more offbeat directions instead.

Cinematical has just been informed that Nia Vardalos' My Life in Ruins has scheduled a May 8, 2009 release date, which, so far, puts it opposite Star Trek as the weekend's only other wide release. And yes, we're told it will be a wide release, and that a brand, spanky new trailer will arrive soon (pay no attention to the one leaked online earlier in the month). Produced by Tom Hanks and Rita Wilson, Ruins stars Nia Vardalos as she returns to her Greek roots (and to the country itself) as a tour guide who discovers her romantic side while showing a ragtag group of tourists around. Directed by Donald Petrie (How to Lose a Guy in 10 Days), Richard Dreyfuss and Rachel Dratch also star.

Fox Searchlight must have a good feeling about this flick if they're throwing it out right at the beginning of the summer -- and opposite the giganto Star Trek -- though the film's low-key vibes and romantic scenery will counter the ridiculous Trekker fanboy-ish quite well. Will My Life in Ruins bring Vardalos some more big, fat Greek luck? We shall see ...

After four weeks as the top movie in America, The Dark Knight finally yielded the spot to the action comedy Tropic Thunder despite the threat of boycotts. Here's the top five:

1. Tropic Thunder: $25.8 million
2. The Dark Knight: $16.4 million
3. Star Wars: The Clone Wars: $14.6 million
4. Mirrors: $11.2 million
5. Pineapple Express: $9.8 million

Four more new releases this week. Will any of them be able to knock Tropic Thunder's, um, thunder? Let's see:

Death Race
What's It All About: Jason Statham stars in this reimagining of Roger Corman's Death Race 2000. In the not too distant future prison inmates are given a chance for freedom by taking part in a brutal cross-country race that can have only one survivor.
Why It Might Do Well: The summer blockbuster season is on the wane, and since this is the only action flick coming out this week, Death Race may benefit from the public's need to see things blow up. Also, Statham does have his admirers.
Why It Might Not Do Well: You can only watch so many spectacular car wrecks.
Number of Theaters: 2,400
Prediction: $15 million

Above: Rainn Wilson lets his hair down for The Rocker.

Fans of Rainn Wilson's offbeat, hilarious and strangely endearing performance as Dwight Schrute on NBC's The Office might expect him to transition into film work with straightforward comedy, and The Rocker confirms that suspicion. However, they might not realize the serious professional motives behind his choice. In the movie, directed by Peter Cattaneo (The Full Grown Monty), Wilson plays a grown-up dolt named Fish with a scary fixation on classic rock. Abandoned by the band Vesuvius in his teens -- before they became a commercial phenomenon -- Fish spends the next twenty years working deadbeat jobs and wishing things happened differently. Naturally, he gets a second chance: When the opportunity rolls around to drum for his nephew's high school, Fish goes for it. Ageism and slapstick humor ensue.

While not exactly a classic, The Rocker proves Wilson has the charisma to carry a movie. The script could use some polishing, but Wilson manages to play a completely dysfunctional human being without ever becoming an annoyance. It's a testament to his skill as an actor with calculated timing. The humor emerges from the naturalism of his performances, which make you believe in the outlandish characters he portrays. In a conversation with Cinematical recently, Wilson elaborated on his particular strategies as his career advances, reminisced about his days as a New York theater actor, and shed some light on a few upcoming projects.

As you all know, Ben Stiller is taking on the wacky museum world once again for Night at the Museum 2: Escape from the Smithsonian. One of the big casting announcements for this sequel was Amy Adams as Amelia Earhart. Now you can see a glimpse of her as the famous pilot above, then check out one more below (featuring a few old friends) and others at TheBadandtheUgly (note: images possibly contain romantic subplot spoilers, so be warned). How cute is she?

I'm sorry Hilary, but I'm really digging the look of Adams as Earhart much more. I think the big difference between the two is that Adams seems completely natural as Amelia. Adams looks like she walked right out of the same time, whereas Swank's Amelia looks more costumed and much less natural -- at least, based on the images we've seen online.

The showdown of the Amelias will take place next year. Amelia is set to hit theaters some time in 2009, while Night at the Museum will hit screens on May 22, 2009. Which do you prefer?

(We're re-posting our CineVegas review of The Rocker to coincide with the film's theatrical release today)

I like the premise of The Rocker so much -- middle-aged wannabe rock star insinuates himself into his teenage nephew's band -- that I'm inclined to go easy on it solely out of good will. It's likable enough, a lightweight rock 'n' roll comedy punctuated by several belly laughs -- but those laughs are all in response to the one-liners, and mostly from one minor character (more on that later). The story, the central personalities, and the uninspired slapstick are bland.

The title wannabe is Robert "Fish" Fishman, played by Rainn Wilson (of TV's The Office) in his first major film role. Fish was the drummer for Vesuvius, a mid-'80s heavy-metal band, but was kicked out on the eve of the group's success. Now, two decades later, Vesuvius is huge and Fish is a bitter has-been (or, rather, never-was).